Tuesday, January 29, 2013

Music awakens us and connects us



For this week's blog, I would like to share an experience Dustin Hoffman had when he was a young man working as a nurse's aide at the New York State Psychiatric Institute. In the January 21 2013 New Yorker he tells a story of an old man who had been a brilliant doctor in his day. Now, due to several strokes, the man was practically vegetative. "He would shuffle up and down the hall mumbling--endlessly repeating numbers or just going, 'Budabudabuda.' 

His wife visited him every day and Dustin Hoffman often played the piano for the patients. One day he played 'Goodnight, Irene.'  "Suddenly, and he [the patient] had never done this before, he started singing...'Irene, goodnight, Irene, goodnight.' Then he saw her [his wife] and he got up, and he walked towards her, and he put his arms around her. and she was deeply touched, deeply moved, and she said, 'Sit down, we'll have lunch, we'll talk.' And--I swear to God--he looked at her, so sadly, and he cried, 'I can't! I caaaan't' And he went right back into his state."

While this is in many ways a sad story, it moved me to see the power of music at that moment. It gave that couple a window through which to connect, if only ever so briefly. As I ponder the "isolation of consciousness" (a term referred to by Radio Lab's Jad Abumrad), I see that we strive to overcome that isolation and connect with each other. Music gives us those moments. We don't know what mysteries of the brain creates those moments, but for now let's be grateful that they are there and that we have music to share with each other. 

Wednesday, January 16, 2013

Who knew? Boys Chorus leads to connections and success in many areas.


Who knew? Boys Chorus leads to connections and success in many areas.

Read how Ragazzi helped alumni succeed in two contrasting and surprising directions. Jesse Buddington was able to enter the music field of gaming thanks to his music theory background from Ragazzi. For another and very different story, read what Zander MacQuitty accomplished at Harvard due to his sight reading abilities learned here in Ragazzi.

From Jesse Buddington:
I recently returned from a week at MAGFest - a convention centered around video game music. The event lasted 4 days and drew over 9,000 people, including many video game musicians, composers, and other industry professionals. I was invited to represent the video game music label I co-founded, Joypad Records (joypadrecords.com), and to participate in a panel on cover songs and how to properly license and sell them.

While I was there, I ended up meeting many game composers and cover artists alike, many of whom were classically-trained musicians. I was able to talk to these talented people on a very high level of musical understanding thanks to my knowledge of music history and especially theory, which I gained through Ragazzi. Moreover, we were able to sign at least one major artist while at the convention because he had gotten his start in a boys' chorus and we were able to share common ground.

Additionally, and somewhat unexpectedly, I ended up having an impromptu jam session with many of the composers, which resulted in several of them expressing interest in my abilities as a vocalist. Had I not received training in harmony and sightsinging at camp, I don't think I would have been able to hold my own against these highly-skilled people, even in an informal context. Certainly not well enough to impress them!

Ever since I was little, I've wanted to participate in some way in video game music - I initially gave up on that dream due to the alien complexity of working with electronic synthesizers, but as game music has gradually shifted toward fully-realized orchestral and even choral soundtracks, I've come to realize that the Ragazzi-essential skills of taking and interpreting direction, producing a wide variety of vocal styles, and not being afraid to try new or unusual things can help achieve that goal.

Finally, had I not learned the discipline, drive, and ability to work with others that Ragazzi teaches, I doubt I would have been able to be effective at the conference in ANY capacity. Somehow, being on an unsupervised, largely-unscheduled trip to the East coast isn't quite as daunting when you've been touring internationally since you were 12 - nor is lecturing to a room of a thousand fans a particularly daunting task when you've had to sing a solo part in front of thousands of musicians. I have Ragazzi to thank for that preparation, as well.

I can rarely predict the direction in which life is going to pull me, but I know that I can always rely on what I learned (and continue to learn!) in my time with Ragazzi. It's immensely comforting to know that those skills really do translate to an unlimited number of real-life situations. Highly awesome real-life situations.


From Zander MacQuitty:
Ragazzi's musical legacy has stuck with me through college. The entire first tenor section of the Choral Fellows
of  Harvard University was composed of Ragazzi graduates. That is, James Williamson and I were the first tenors. This was a professional musical organization. We were all paid and we all received free weekly voice lessons.

We warmed up for Morning Prayers every day at 8:15 and performed at 8:45. Sight-reading was *essential* to being in this group. We learned entirely new music half an hour before we performed. Without my training in Ragazzi, I wouldn't have had a chance to be in this group and experience this level of professionalism. People always talk about the personal legacy of Ragazzi being purely disciplinary or intellectual. While Ragazzi undoubtably prepared me to appreciate "classical" music and to discipline myself to achieving long term goals, Ragazzi is a performance-oriented musical organization that can and does product professional
calibre musicians.


So continue to study music, sing with Ragazzi and prepare for the adventures that await you in your life! 

Thursday, January 10, 2013

Music heals; Ragazzi commits to working intensely and beautifully and devotedly.



Is Ragazzi irrelevant and old fashioned in today’s society? The money and the crowds are going to songs by singers like Drake or Riahanna. Check out the words on the top Billboard hits of the year and know this is what our young people are hearing. There are certainly some great pop songs today, but there are many with words full of violence and despair.

Boethius (480-525 C.E.) wrote  “Music was given us either to purify or to degrade our conduct.” What does Ragazzi offer us in this world?

Modern 21st century culture has become the bastion of noise and chaos.  On holidays, we are told to shop rather than encouraged to enjoy our families and friend. When we go into stores, we are often blasted with loud, pulsating music. When we go to the movies, we see  violence, gun shots, blood flowing.

Does it matter what we allow in the minds of our young, impressionable citizens? Mick LaSalle, the SF Chronicle film critic, in a column January 2 2013 has refrained from commenting on violence in movies in his reviews, thinking that it is too subjective a subject. After the shooting in Aurora Colorado and Newtown Connecticut, he questioned himself in his hesitation to comment on violence in movies and he decided to speak up, recognizing the impact that our movies and games have on our consciousness: “…let’s not fail to recognize that today, violent media is the new regime. The industry, in cinema and gaming…monstrously profitable, is a mechanical, repetitive neural training ground for action…targets disenfranchised young men and boys who are unformed and weak in personality.” He suggests that to mitigate this effect that we create a rating system for violence that is at least as powerful as that used for pornography in films and games. Then parents can make an informed decision about what their children encounter.

Many crimes are committed by males feeling isolated. While participation in sports  involves working in teams and creating community, a recent disturbing trend offers some cautions to how our society is engaging in these sports.  We have seen an uptick in fan violence at sporting events and according to Jay Sterling Silver in the December 5 2012 SF Chronicle, we might be creating a brutal atmosphere with the  “fanatical importance we attach to winning sports competitions…”  “Indeed, many of our most popular spectator sports are unabashed celebrations of violence….all this can breed a sense of empowerment, entitlement and invulnerability on the part of the athlete..[who is being pushed]…into what WE want.”  ….”Why do we worship, reward and contort athletically gifted boys and men ....at any cost?”

Ragazzi helps young males express their feelings and form bonds with others.  A recent  year-long study conducted in the U.K. by Tal-Chen Rabinowitch and Ian Cross, who are both on the music faculty at Cambridge, found that children between 8 and 11 years old involved in different types of group musical activities were more likely to develop empathy than those in control groups where music was not included. “Empathy is considered to be a precursor of prosocial behavior, a crucial ingredient in our daily social lives, said Rabinowitch. “Empathy keeps us ‘together,’ connected, and aware for each other.”…. “The Rabinowitch work helps reinforce the intuitive notion that engagement in music is beneficial in terms of ethos, pathos, and logos,” said Jonathan Berger, co-director of Stanford University’s Institute for Creativity and the Arts. “The important notion here is that, in this age of ‘removed listening,’ in which the vast majority of engagement with music is done through earbuds and on the run, the importance of true engagement is critical.” (For complete article see: http://www.sfcv.org/article/is-music-the-new-social-media-empathy-entrainment) Singing in a chorus like Ragazzi is a positive social experience increasing our capacity for understanding our feelings and the feelings of others.

As we see a growing sense of entitlement among members of our society, Ragazzi resists that by rewarding boys for effort. Quoting Ruben Navarette Jr. in the SF Chronicle January 2 2013, “These days it seems as if parents and teachers are more reluctant to reward good behavior in children….in an era where building a child’s self-esteem is the ultimate goal, we’ve become terrified of words like ‘good’ and ‘bad.’  Are we producing a generation with a sense of entitlement?” Certainly not in Ragazzi, we are not. We are helping to build young men of character.

Ragazzi teaches boys to study music beyond the four chords that make up most of popular music. Ragazzi singers engage deeply  with the mysteries of composition, the building blocks of great pieces. We sing classical songs, folk songs; we sing about love, and friends, and sharing and loss and recovery and triumphant.

By singing with our friends music that is based on texts which explore the human condition in all its phases, we are part of the solution to a society of isolation and chaos. At the very least we are infusing the brains of our young men with more positive images.

Leonard Bernstein said, “This will be our reply to violence; to make music more intensely, more beautifully, more devotedly than ever before.” In response to the Connecticut tragedy December 14, the December 15th opening to Saturday Night Live was presented by children’s chorus singing a quiet “Silent Night.” Music heals. Here is our mission for 2013, to work intensely and beautifully and devotedly.

Ragazzi Boys Chorus is committed to excellence in musical performance and education.  The Ragazzi experience instills self-confidence, cooperation, leadership, sensitivity and tenacity, helping our boys develop into young men of character and distinction.  Ragazzi serves our boys and the community by performing a diverse selection of choral works to the highest artistic standards.